2009 Music Wrapup Podcast #3

December 17th, 2009

As I sit here and listen to the first song by Dan Deacon, I wish it was about 90s degrees with about 50,000 fans out somewhere in the middle of a field jamming out to this. Instead I am alone in my urine sitting behind a computer screen typing this out while the outdoors is frigid. We can dream can’t we?

 

With such a positive outlook, it would seem to be the perfect first song to this 3rd new music podcast for 2009. This podcast has inspired me at some point to do one based on the biggest disappointments from the Aughts or as I will refer to as “The Aught for Naughts”.  That will be at a later time.

 

For those of you excited about the prospect of hearing a Decemberist song as one of my favorite songs for 2009 you will be disappointed. I could only include 2 Irish Bands/Artists on this particular mix. Sorry folks!

 

Download Here.

 

1.             Dan Deacon -  Build Voice

2.            Grizzly Bear – I Live With You

3.            U2 – FEZ – Being Born

4.            Morrissey – When Last I Spoke To Carol

5.            Wilco – Wilco (The Song)

6.            Beirut – The Akara

7.            Radiohead – These Are My Twisted Words

8.            The Books ft. Jose Gonzalez – Cello Song

9.            Sunset Rubdown – Silver Moons

10.             Minus 5 – Vintage Violet

11.            The Pains of Being Pure At Heart – Young Adult Friction

12.            Bear In Heaven – Wholehearted Mess

13.             Weird Tapes – The Heavens

2009 Music Wrapup Podcast #2

December 6th, 2009

Things worked a little better this time around vs. last time. However, here is the second podcast for your enjoyment:Artist - Song

Artist – Album

 

1. Bibio – Jealous of Roses

2. R.E.M. – Seven Chinese Bros. (live)

3. Phoenix – Rome

4. Girls – Summertime

5. Andrew Bird – Oh No

6. Pisces – Dear One

7. Deerhunter – Famous Last Words

8. Japandroids – I Quit Girls

9. Lotus Plaza – What Grows

10. Dirty Projectors – Useful Chamber

11. Robyn Hitchcock – Your Head Here

12. Weird Tapes – The Heavens

13. Fuck Buttons - Olympians

2009 Music Wrapup Podcast #1

November 26th, 2009

This will be the first of I hope of a handful of new and re-released music so far this year. Click here to access the podcast. It’s been awhile since I have done one of these so I apologize for the fact my voice is a bit low on this. Something to improve on the next time.

 

Band – Song

Animal Collective – In the Flowers

Yacht – The Afterlife

Atlas Sound – Sheilia

The XX – Infinity

Wavves – Mickey Mouse

St. Vincent – Black Rainbow

The Feelies – Crazy Rhythms

Circulatory System – Woodpecker Greeting Worker Ant

Yo La Tengo – Nothing to Hide

Pylon – M-Train

Ida Maria – I Like You So Much Better When You’re Naked

R.E.M. – Carnival of Sorts (Boxcars) – Live

My Top 10 Bands For Pitchfork

July 16th, 2009

As the years have gone on the chances of me receiving daily mail from the AARP have increased. In fact, it’s very problematic that AARP thinks that targeting a 30-Something sweet short (and graying) haired boy. 

There however, is always time for a little rock and roll. Better yet, go to a festival riddled with hipsters. Last year I went to one of the days of Pitchfork and enjoyed it so much that I wanted to go to the entire weekend. For the money, the value, and the fact it does not “Feel” corporate, I can appreciate it.  

Figure that when you go to a festival, you start having to create priority lists of what are the most prominent acts that you “Need” to see and then go from there. Here is my list for the 3 day Pitchfork Festival that is starting tomorrow.  

  1. Yo La Tengo – It’s been about 10 years since I got into them and over that time I have always appreciated their integrity. If started a band, I would say, ‘I want to do it like Yo La Tengo”.
  2. Grizzly Bear – Their new album is far and away one of the best new albums of this decade. It will be exciting to see them live.
  3. Jesus Lizard  - First hometown show in over a decade plus fans write the setlist. This should get pretty crazy!
  4. Women – I have really been listening to their album quite a bit lately and might have to make some changes to my 2008 Best of List.
  5. The National – I thought that they stole the show when I saw them open up for R.E.M. last year. Given the Saturday headlining slot, I am excited to see what they will pull off.
  6. The Flaming Lips – First the set was fans choice, then it wasn’t and now it is. Question will be whether the fans are “Pink Robots” fans or are they going to want the Lips to play some of their older songs?
  7. Blitzen Trapper – Last years album ‘Furr’ is truly one of those great “crossover” albums that can be appreciated by fans of many different genres.
  8. Wavves – I love them actually but I am curious as to how this will all play out. Nathan Williams self-destructed in Spain recently and now just this past week broke his wrist skateboarding.
  9. Beirut – Never seen Zach Condon live, but love their music. I think this could be a lot of fun if really done the right way.
  10. Pains of Being Pure at Heart – There is a lot of Shoegaze being featured at this years show and this is another good up-and-coming band with a bit of sugar added to their sound.

Biggest Game Time Decision  

Japandroids vs. Walkmen – True it is the Walkmen but I am currently leaning towards the Japandroids as they seem much more exciting at this point. 

Best Music of 2009

May 31st, 2009

Well here is a quick rundown of some of the better music (in my opinion) so far this year. It would seem as we are about 5 months into this year, the music from my standpoint has been pretty stellar. There are already a couple albums which I can see myself keeping on a regular rotation.

One of the ideas that seems apparent is that with the influx of information being shared, i.e. the internet, the “Scenes” are being sped up and much more disparate. While I would classify much of the list here below in the broad category of “Psychaedelic” it’s sub-genres could fill up a telephone book.

I am also much more aware of how our forebearers of rock and roll laid their seeds in sounds which are minutely being disseminated by bands now. For Example, I can imagine that an entire genre of music was created by the song ‘Blue Jay Way’ by the Beatles not to mention other awkward moments like “Revolution No. 9”.

My other point is thinking how even the most obscene rock and roll like “Metal Machine Music” which was abhorred by many critics that did not have the last name of “Bangs” is cherished and copied on purpose or by accident by artists today.

While artists might starve and record companies might blame downloading for their woes, there is not a shortage of ideas, thoughts and sounds being present in music today. As with our society, we have an influx of music which I can only listen to a very small percentage of.   Thus with any list, this one feels incomplete but only a prefix tasting of some of the better sounds I have laid my ears upon the first couple months of this year.

 

 

1. Animal Collective – Merriweather Post Pavilion

This album still takes the cake for the best album of the year.  This album still gets weekly airplay by me, on sometimes multiple occasions.

 

2. Grizzly Bear - Veckatimest

As I sit here writing this post I am listening to ‘I Live With You’ as it smashes through your eardrums, another very important release has hit our eardrums. The mixing of Art Rock, fragile pop moments, it’s another one of those albums that needs several spins before the pieces of the puzzle come into place. This album does not have any singles and sometimes feels a bit unsure of itself, especially in the middle but is beginning another element of rock that is going back to studying music’s roots in a contemporary era.

 

3. Various – Dark Was the Night

It is very rare that I will appreciate a compilation album, but this benefit double CD is a “”Who’s Who” of indie rock that adds just the perfect amount of spice. For someone wanting a taste of the ‘Pitchfork Circuit’ this is a good place to start.

 

4. Lotus Plaza – Floodlight Collective / Deerhunter –Rainwater Cassette Exchange (EP)

This Deerhunter offshoot offers momentary glimpse into the lives of lives of musicians in the band not named Bradford Cox. Of course Deerhunter is never short of recording new material. Fresh off their double album Microcastle/Weird Era Cont., you can also get their stunning new Rainwater Cassette Exchange EP that continues on the beautiful shoegaze/psychaedelic music that keeps my blood flowing.

 

5. Wavves – Wavves

This would seem like a hit or miss with folks as they found the music unappealing or rather sounding like Kurt Cobain’s cousin Frank. Maybe that is why I like it or maybe it’s the fact of their meltdown in Spain this week. Not a good start to a tour. Let’s hope they last until Pitchfork at least!

 

6. Dan Deacon – Bromst

Music that makes you want to jump around with 500 of your closest friends. Quirky and infectious.

 

7 . Japandroids – Post-Nothing

A mixture of My Bloody Valentine ear-bleeding guitars and punk. If there are any cowebs up there in the brain, this is a good way to clean them out.

 

8. Andrew Bird – Noble Beast

The first of two Chicago bands back to back. While critics such as Jim Derogatis might find Bird’s lyrics to challenge the most inane part of the dictionary, I still find his Nick Drake impressions endearing. 

 

9. Wilco – Wilco (The Album)

Unlike some of their albums where they felt cohesive, this one does not. Not to say that it is bad whatsoever but feels more like R.E.M.’s –New Adventures in Hi-Fi, ala a collection of the sounds of Wilco since their inception. A little bit of everything.

 

10. Woods – Songs of Shame

A mixture of prepubescent Velvet Underground. Their lead singer invokes early Elf Power songs intermixed of Folk songs filtered through New York Coffeehouses listening to the Moldy Peaches.

 

Eulogizing the Life of Jay Bennett

May 25th, 2009

Jay Bennett Dead At 45

  

Jay Bennett, a rock musician with deep ties to Chicago best known as a former member of Wilco, died early Sunday morning in downstate Urbana, where he had been running a recording studio, according to a spokesman for his family.

The singer and multi-instrumentalist was 45 years old.

“Early this morning, Jay died in his sleep and an autopsy is being performed,” said Edward Burch, a friend and musician who collaborated with Bennett on the 2005 album “The Palace at 4 a.m.” “The family is in mourning and is unavailable for comment at this time.”

There was a period in time where anyone that listened to me would have heard the words utter out of my mouth that Wilco was the best band on the planet. My conclusion was based on predominantly on the “Jay Bennett Era” of Wilco.

The first time I remember seeing Wilco was in 1999 during R.E.M.’s ‘Up’ tour.  I still remember sitting in the audience during this show and listening to Drew, my friend, rant about the secret ingredient outside of the Lead Singer, Jeff Tweedy.

Jay Bennett was the musician that brought the powerpop sensibilities to an alt country god and transformed their music into something different. It was their collaboration on albums such as ‘Being There’, ‘Summerteeth’, ‘Yankee Hotel Foxtrot’ as well as their collaboration with Billy Bragg on the Mermaid Ave. albums which have always signified in my eyes, the golden years of Wilco’s existence.

That first show opening up for R.E.M. did not sell me at that moment. Sure, they did receive quite a standing ovation from the loyal Chicago crowd, but it was the next show I saw on January 9th, 2000 at the now defunct Lounge Ax, in Chicago that made me a huge fan.

The final weeks of the Lounge Ax featured quite a few prominent artists to play one final show at the legendary location and this night featured Minus 5 (Scott McCaughey and backing band Wilco) and then Wilco for a blowout performance. A night of about 40 songs The Minus 5 and Wilco combined felt more like a raucous performance in a small bar in the middle of nowhere. The Lounge Ax, was a hole in the wall, had some of the worst sight lines in existence, leaky ceiling, and probably not the most optimal place to see a live show. At any rate, on this particular evening it had been perfect.

Over the next couple years I would try to see Wilco at every moment possible, whether it was at Rock the River festival in the Loop, after a Chicago Fire game at Soldier Field or the Riviera.  This would be on top of the local acoustic shows that lead singer Jeff Tweedy would by playing from time to time.

Wilco had become my band, a new band for me considering my love and devotion for another band quite like them, namely R.E.M.

Wilco featured beautiful songwriting on top of the outstanding lyrics that made Tweedy-Bennett songwriting a staple. And here was a band that I could see during their “Peak” so to speak, not a band like R.E.M. whose best days were behind them since the departure of drummer Bill Berry. All of this was shortlived.

The masterpiece album “Yankee Hotel Foxtrot”, claimed Jay Bennett as an ex-member afte the album was finished and recorded. The backstory, never clearly told on anyone’s account and highly doubt it will ever come out can be stated pretty simply was that Wilco was not big enough for both Jeff Tweedy and Jay Bennett.

Wilco was Jeff Tweedy’s band. He formed it, he owned and controlled all aspects of the band. Say what you want about democracy within the band, but the truth is that Tweedy and Bennett hit a point of “Irreconcilable Differences” and Bennett was asked to leave the band.

As a fan this was shocking and not something that I have ever been able to deal with. I attended shows afterwards and missed Jay’s stage presence as he would flail around with his guitar.  I have missed Jay’s pop sensibilities on the last couple albums as Wilco has reformatted their sound to remind me something closer to a Jam band. While others still flock to Wilco shows their newer albums have never clicked with me the same way the Jay Bennett albums inspired me.

As any collaboration is, Jay Bennett’s solo work missed the delicate nature of Jeff Tweedy’s lyrics, his folklore, and sadly I never got much into his albums with the exception of his initial release. 

Unfortunately, this is often the breaks when you get two talented songwriters in a band. That collaboration (i.e. Lennon-McCartney) is often stronger than each of them doing their separate things.

I think there were always times when I hoped that Bennett would someday reunite with Tweedy and Wilco. As anything, it was always a passing fancy but something that I knew would never happen.

I was blessed to see Bennett live with Wilco and am continually blessed with the fact that they were able to record so much good music together, music that has helped define who I am.

Sadly, the last chapter in the Bennett-Tweedy feud was heartbreaking when Bennett decided to sue Tweedy for lost royalties when he was with the band. It is hard to say whether Bennett’s current health problems had anything to do with this, however, I would suggest that if Bennett was able to have a successful recording career of his own that things would be different. As written on his Myspace page, a hip ailment that was causing intense pain on top of having no health insurance made him reevaluate quite a bit as a person.

He will be missed but his music will live on. Rest in peace, Jay. 

NCAA Brackets too Predictable

March 23rd, 2009

Barack Obama was criticized by some journalists for providing a basketball bracket that was without any upsets. I would seem that his predictions must be spot on. 

Sweet 16 Teams and their “Seeds”

East

Pittsburgh(1)

Duke(2)

Villanova(3)

Xavier(4)

 

South

NorthCarolina (1)

Oklahoma(2)

Syracuse(3)

Gonzaga(4)

 

West 

Connecticut(1)

Memphis(2)

Missouri(3)

Purdue(5)

 

Midwest 

Louisville(1)

MichiganSt. (2)

Kansas(3)

Arizona(12)

Arizona and Purdue so far are the only teams that can be considered a “Lower” seed. 

However,the predictability of the NCAA’s is exactly the reason that they have become so boring. Considering Arizona’s storied history in the NCAA’s they cannot be considered the sentimental favorite, ala Jimmy V’s North Carolina State’s quad. 

Secondly, I am curious if the increased number of college basketball players entering the NBA early dilutes the talent in the college ranks. When teams have limits as to how many scholarships they can offer on top of playing time to offer, the choice teams have altered their strategy in knowing that many of their players will not stay the entire 4 years. So they can grab up more young recruits which then thins out the talent at smaller schools. 

At any rate, the brackets are getting to be as much fun as paying my taxes. 

Animal Collective @ Metro, Chicago, 1/22/09

January 24th, 2009

Setlist 

Lion In a Coma

Slippi

Blue Sky (new song)

Guys Eyes

Summertime Clothes

My Girls

Also Frightened

Daily Routine

Leaf House

Brother Sport

Encore: Comfy in Nautica

 

 

This will probably be the last time I write about Animal Collective for awhile. Of course with a new album and seeing them at the Metro and seeing that their album is getting close to “Masterpiece” status, there has been a lot on my mind in regards to them.

Based on some of the other setlists and reviews from the shows they probably skipped out 1 song due to Avey Tare having vocal problems. He did not come out for the encore and they played only a total of around 75 minutes but it was essentially 75 minutes of straight music with few interruptions. I have read some reviews so far which would suggest that fans were slightly disappointed in this. At this point, I am much more satisfied in the fact that they actually played as the issue with Avey Tare’s voice might have been the reason they were forced to cancel tonights show.

This is the second time that I have seen Animal Collective, the first time at Pitchfork Music Festival. I would not have considered myself at the time being an avid AC follower. I completely loved Panda Bear’s ‘Person Pitch’, one of my favorite records from 2007. Panda Bear, aka Noah Lennox came out with this solo album exploring some more of his nuanced Beach Boys meets Electronica style that had me shimmering for more. Animal Collective’s ‘Strawberry Jam’ was also an album that I appreciated that year as well. In breaking my virgin status with the Animal Collective show that night, I was struck immediately with the psychaedelic and hypnotic atmosphere of the night, as the songs while much more mellow than last nights show made me a fan of their live show.

When I found out that the band was playing at the Metro in mid-November, I immediately grabbed a chance at seeing them in a more intimate venue. I was surprised when I arrived at the venue nearly 45 minutes before the show started that it was pretty much packed already. As a fan that has always tried to stake out a good spot to see a performance there was a level of excitement in the air for the sold out show that was selling quite a bit over face value on eBay.

The setlist was heavy on the new Merriweather Post Pavilion (MPP) material playing 7 of the 11 tracks off the new album. As with an album that is as masterful as MPP, I could not help but be disappointed however, in the exclusion of ‘In the Flowers’’ probably my favorite track off the new album. However, with an album as solid as this and a show as stunning as it was, individual selfishness has to take a seat to the tapestry that was woven onstage.

Animal Collective are not a type of band where their actions onstage will definitely warrant any fans. These are not individuals that are in any way theatrical with their instruments. They are still a jam band for the electronic age, sounding tight but at the same time very improvisational. You would expect that within a set with virtually no breaks that the band would be playing the same setlist in order night after night but this is not the case. Lengthy interludes between songs make seeing them a unique experience.

Some of the highlights for me was ‘My Girls’ is the oft-repeated chorus during the song. . .

I don’t mean to seem like I care about material things like a social status

I just want four walls and adobe slabs for my girls

In the live setting, the song becomes almost universal, that barrier broken down between band and audience where everyone is singing and dancing, where the message and music are one. While we might be overwhelmed in the digital age with our mobile devices, email, or our entertainment systems, these material possessions mean nothing when it comes to the basic premise of protecting the ones we love.

 

Animal Collective - My Girls (Video) 

‘Brother Sport’ plays in the same vein as ‘My Girls’ offering that moment where the crowd can be engaged with the band. Being the second of the two songs off the new album with the most pop sensibilities the song builds up in the middle for a frenzied electronic explosion and shifts almost into a completely new song. But the message being brought out is about having inner confidence, and let go of the bad and take in the good. During these dark times we live in, it clearly hits the nail on the head.

As I had mentioned earlier, with Avey Tare having vocal difficulties Geologist and Panda Bear came out for a 1 song encore and I could not have been more pleased with the song they chose. I could argue that Panda Bear’s ‘Comfy in Nautica’ would be a song presented on my ‘Desert Island Mix Tape’ which sounds like Beach Boys behind a sampling board. I would only imagine that Brian Wilson could listen to this and think that this is the true next step beyond Pet Sounds. Hearing this song live and particularly the last minute of the song I felt that “Perfect Moment In Time” as the music crashed around my eardrums I did not want that moment to pass or have the song end but could have stood there for eternity. 

Animal Collective - Merriweather Post Pavilion

January 18th, 2009

Merriweather Post Pavilion 

From the Liner Notes From Animal Collective’s Merriweather Post Pavilion

 

Merriweather Post Pavilion is an outdoor music venue in a place called Symphony Woods in Columbia, Maryland. It was designed by Frank Gehry in the 1960’s, and they’ve been having concerts there from 1967 up through today. We used to go to shows there while growing up and have fond memories of times spent on the lawn. For most of the time we’ve been playing together, both in Animal collective and the years before, we’ve tried to make music that would be deserving of an amazing outdoor listening experience. As both a name and a place, Merriweather Post Pavilion represents this for us.

 

I think whenever you make a statement like I did that this album is the best album since Wilco’s ‘Yankee Hotel Foxtrot’ that you essentially are left with your dick in your hand; sorta like a first date when you blurt out ‘I Love You’. You better be under some heavy drugs or completely inebriated for such a comment to fly. Most times, you will get a weird look and “Well . . . it was interesting . . . before you crawl into the corner of your bed contemplating the misery and your ineptitude among other things.

 

However, I was neither on any smack, ludes, hash, or any banned substance which would make me blurt this out. . . just me myself and my trusty computer screen here to guide my way.

 

There is a point in the first song on Merriweather Post Pavilion (MPP), exactly 2:31 into the song that it just explodes in your brain.  A moment of pure ecstacy and delight that could in some cases make the rest of this album insignificant. There can be no more pure moments in rock and roll but at that moment, two minutes and thirty one seconds into this song where you picture thousands of people at a show feeling that same energy.  That everything is peaceful and perfect and alright in the world.

 

If I Could Just Leave My Body For The Night . . .

 

The rest of the album is not insignificant and leads the listener into its hippie cauldron of bliss.   However, this is not a hippie album by any measure but an album that transcends styles and ideas at a more universal approach. I was bundled up this week during the cold Midwestern weather walking to work. . . it was sunny, frigid, and MPP was blaring on my iPod and the streets were silent, as if I was having a Vanilla Sky moment. As cold as it was as my eyelashes were freezing together, I could not help but feel the warmth of the music.

 

MPP is a progression of Animal Collectives sound mixing the best from their last work, ‘Strawberry Jam’ and Panda Bear’s ‘Person Pitch’

 

MPP is not a dance album but you want to dance to it. Its an electronica album but you would not think of it as true “Electronica” because its almost organic human characteristics surrounding the music. The lyrics are not going to blow you away as it is not doctorate level poetry but who says that it has to be?  Do lyrics have to provide us with some deeper meaning in life or is it the construct to mesh with the music that is provided on the disc? Not everyone can be Dylan, not even  Dylan himself.

 

Do I think that there was a reason that the CD of this album is intended to be released on January 20th for a reason? I would guess that the Inauguration of President-Elect Barack Obama has something to do with it. MPP offers that same hope and optimism that should be

 

The album probably has 5-6 really standout tracks which, depending on the fan you talk to will give you a different answer. The opening track, In The Flowers opens the album up, setting the mood as described above and is followed by ‘My Girls’ a moment of pure bliss pop electronica.

 

‘Bluish’ is its love song, the lyrics ‘lucid’ and dreamy as the music while ‘Lion In A Coma’ is all about beat and rhythm featuring the ethnic African beats while still sounding fresh and receptive. Brothersport ends the album in a frantic pace, as the dance rhythms take you over.

 

I would suggest the best listening experience would be to either crank these tunes up very loud to appreciate the heavy bass or wear headphones and get drowned out in the summer atmosphere.

 

While we are only in January, I am going to be hard pressed to find a better album this year. Something will really have to jump up and surprise me to beat this from start to finish and if it does 2009 would expect to be an amazing year in music. 

Best Music of 2008

January 5th, 2009

2008 became a very difficult year to review in my opinion. It might have been that there was very little that caught my ear this year, however, I believe it has more to do with the subpar music that came out this year compared to 2007. Who knows, in a year I might be saying the exact opposite. Comparing this years top ten to last years, there would probably be 4 albums that match up to last years top albums, and two of those bands (Deerhunter and Of Montreal) were on last years list as well.

 

I guess I could offer a glimpse of last years music in a trance-laced podcast I put together of some of my favorite tracks. You can download it here.

2007 Podcast of Best New Music 

I have not figured out if I will do one this year or not. I planned to do it this weekend but fell ill.

10.   Beach House –Devotion  - Continuing on their ‘devotion’ to slowcore and shoegaze. Fans of ‘Low’ might appreciate their music tranquilized before they do the same to themselves.  

9.     Fuck Buttons – Street Horrrsing – For me this electronica album makes it for its uplifting premise.

8.     TV on the Radio – Dear Science – TV on the Radio is bringing funk back to rock and roll. This is on the edge like Prince was in the early 80s, with great guitars, dark landscapes and great vocals.

7.     Lou Reed – Berlin: Live at St. Ann’s Warehouse – While this is a live album, I really think that it finally makes “Berlin” right. This is one of my favorite Lou Reed albums, albeit not his happiest release ever.

6.     Vic Chestnutt, Elf Power and Amorphous Strums – Vic Chestnutts unique vocal talents and words matched with Elf Power’s music is worth the effort.

5.     R.E.M. – Accelerate - Surely not their best album but this is not half bad with some of the best tunes they have written in years.

4.     Fleet Foxes – Fleet Foxes – Fleet Foxes offer that beautiful folk pop that will make groups like Simon and Garfunkel and the Mamas and Papas jealous.

3.     Deerhunter – Microcastle/Weird Era. Cont – I am not sure which of these albums is better but presently it would have to go to ‘Weird Era. Cont’ with its beautiful ‘Calvary Scars LI / Aux. Out’, a 10 minute droning guitar piece.

2.     Portishead – Third  - Sometimes when bands take long breaks, their reunions are a mess. That is not the case here. Portishead reinvents their trip-hop style making it feel current.

1.     Of Montreal – Skeletal Lamping – Kevin Barnes writes another masterpiece in my book with Skeletal Lamping. Probably not the type of album that you want your kids to listen to but definitely the most difficult album to get your hands around. While there are 15 tracks on the album, it’s actually closer to 150 as they piece together snippets of  20-40 second songs to form this album. Barnes continues on his 70s retro flair on this album, albeit there are plenty of pop moments throughout, just no singles!

 

My real #1 however, is R.E.M. – Murmurs Deluxe Edition. This album released on it’s 25th anniversary makes note that nothing even comes close in comparing the standard and quality this album had compared to the music today. Murmur was an album that changed music for the better. Included here on the second CD was a great live show from the era to give fans an idea of what R.E.M. sounded like live during that era compared to the album. There is not a bad note on this album.